Born in 1947, in Saint Etienne, France.

Lives and works in Paris, France

   Awards and grants

2021 Chevalier de la légion d'honneur

2017   International Award for Female Excellence, Ministry of International Affairs, Genoa, Italy.

2013   E-REPUTATION Great Prize, Alexia Guggemos, Christie’s, Paris, France.

2004   top prize, Moscow Festival of Photography, Russia.

1999   Arcimboldo Prize for digital photography, Hewlett Packard, France.

           Griffel-Kunst Prize, Hamburg, Germany

1993   Prix Prix Lavoisier, France.

1992   Two grants from FIACRE for her research and residency in Chennai, Madras, India.

1989   Two grants from FIACRE for her research and residency in Chennai, Madras, India.


2016   Getty Research Institute, Los Angeles, USA

2008   SymbioticA, University of Western Australia, Perth, Australia.

2007   Getty Institute, Los Angeles, USA

2005   International Studio and Curatorial Program, New York, USA

   Public collections 

Centre national d’art et de culture Georges Pompidou, Paris, France

Maison Européenne de la Photographie, Paris, France

Musée de la Photo de Bièvre, France

Musée d’Epinal, France

le Musée du Nouveau Monde de La Rochelle, France

le Musée d’Art Moderne de Saint-Etienne, France

le Musée des Beaux-Arts de Nantes, France

National Fund of Contemporary Art, Paris, France

FRAC (Regional Fund of Contemporary Art), Pays de la Loire, Carquefou, France

FRAC Ile-de-France, Paris, France

FRAC Rhône-Alpes, Villeurbane, France

FRAC Basse-Normandie, Caen, France

Arthotèque la Réunion, France

Musée d’Art contemporain d’Anvers, Belgium

Los Angels County Museum of Art, USA

The Andy Warhol Museum, Pittsburgh, USA

The Getty Museum, Los Angeles, USA

Museum of contemporary art, Los Angeles, USA

Frederick R. Weisman Art Foundation, Malibu, USA

Sheldon Museum of Art, Lincoln, USA 

The National Museum of Art, Osaka, Japan

Sungkok Museum, Seoul, South Korea

Mali National Museum, Bamako, Mali

The Bandjoun Station, Cameroun

Emblematic of the interest that contemporary artists have taken in performance art and in the possibilities of using one’s body as a creative medium, ORLAN stands out thanks to her use of multiple practices and medias. Questioning representations of art, genres, sexuality and the self, this international artist has constantly brought her appearance and her identity into play, reinventing herself in a continuous work of “self-sculpture”.

Trained at the Conservatory of Dramatic Arts and at the School of Fine Arts of Saint-Étienne (ESADSE), she shows, from the age of 17, performance pieces in which she quotes classical masterpieces by replaying them in Tableaux Vivants (1967-1975). In Étude documentaire : le drapé, le baroque (1974-1984), an ensemble mixing performance, photography and sculpture and revisiting Judeo-Christian iconography and baroque aesthetic, her bridal trousseau’s linen, diverted from their matrimonial vocation, become the medium for provocative pieces.

In 1977 she brings Le Baiser de l’artiste (The Artist’s Kiss, Frac des Pays de la Loire) to the FIAC (International Fair of Contemporary Art) in Paris. Sitting behind a photography of her own naked torso, she sells French kisses to the fair’s visitors or invites them to light a votive candle to her image dressed as a Madonna. The installation superposed the sacred woman – Sainte-ORLAN – and the objectified woman – ORLAN-corps – and created a scandal that costed the artist her teaching position. Since this first period, her creation has moved forward by revisiting her older pieces; most of her performances and derived pieces enter long-term series.

Other occasional works keep their individual status such as her parody of Courbet’s L’Origine du monde turned L’Origine de la guerre (1989) and showing a close-up of the lower abdomen of a man in erection. ORLAN also played a pioneering role in the artistic use of telematics, via the Minitel (a network developed prior to the Internet in France). In the 1990s, assisted by medical doctors, she began a series of “surgical-operation-performances”. She transforms the operating room into an atelier, where her body is surgically operated and modified under her direction. Some of these surgical interventions were filmed and transmitted live through satellite to high-art spaces (Omniprésence, 1993). If the whole process, from project to result, constitutes a work of art in itself, interventions also bring about videos, photographs, drawings and other pieces recycling body matter derived from the surgeries. The artist associates these performances to readings of essays by philosophers like Michel Serres, and writes her own "Carnal Art Manifesto" (1992) that explains the issues at stake in her work. As a critical diversion of cosmetic surgery, a demonstration of the new plasticity of the flesh that allows the contemporary subject to claim authorship of her/his own body, a questioning of beauty codes and their violence, her project distinguishes itself from body art by rejecting pain and making her body “a space of public debate”. In Reconfigurations-Self-Hybridations (starting from 1998), she uses digital image processing technologies to blend her face and pieces representing physical and artistic canons from pre-Columbian art, African sculpture, paintings of North-american natives by George Catlin (1796-1872) and Chinese art. These hybrid portraits blur distinctions in individuality, sexuality, temporality, ethnicity, religion or artistry in order to create as many mutant figures. In parallel, ORLAN pursues her exploration of the impact of biotechnology.

In 2007, her installation Harlequin’s Coat mixed video-projections, Petri dishes and a bioreactor allowing the in vitro culture of her own cells combined with those of other human and animal stems. Patchwork, collaboration and reprise equally govern the creation of clothing-artworks, when she collaborates with fashion designers to exhibit garments recycled from her own closet. This logic of recombination continues when she invests Maubuisson Abbey with her exhibition Unions mixtes, mariages libres et noces barbares (2009). The thoughtful and complex path of this norm-challenging artist, which mixes intensely art, life and sociopolitical questions, has always taken place in close dialog with her audience, gleefully mocking consensus.

Hugues Marchal

Translated from French by Emily Freeman.

From the Dictionnaire universel des créatrices

© 2013 Des femmes – Antoinette Fouque

© Archives of Women Artists, Research and Exhibitions

Solo shows at Ceysson Gallery
November 25, 2021 - January 15, 2022

ORLAN, Paris
February 18 - March 19, 2021

ORLAN, New York
September 12 - November 02, 2019

October 18 - December 08, 2018

Group shows at Ceysson Gallery
At Jean Prouvé, Offsite
July 15 - July 18, 2021

Spring Saint-Étienne, Saint-Etienne
June 12 - July 25, 2020

Spring Paris, Paris
May 18 - July 23, 2020

Guerre(s), Paris
December 18, 2019 - February 01, 2020

Le grand détournement , Paris
June 27 - August 03, 2019

Tribute to Vicky Rémy, Offsite
July 13 - July 14, 2019

Solo Show (selection)


ORLAN in The Sammlung Verbund Collection, Vertical Gallery, Vienna, Austria
ORLANoïde 2.0, curated by Cian Walsh, Science Gallery Dublin, Ireland

ORLAN, Institute Gallery, Beirut, Lebanon

ORLAN SAINTE-ORLAN, Galerie Ceysson & Bénétière, New York, United States
Pétition contre la mort, curated by Richard Martel, Le Lieu, Quebec, Canada
Femme avec tête(s), curated by Yann Toma Paris, Sorbonne Art Gallery, Paris, France
Projection Apparition et Gloide de Sainte ORLAN, L’hybride Lille, Lille, France

ORLAN BEFORE ORLAN, Ceysson & Bénétière, Paris, France
Ex Teresa Arte Actual, Andrea Valencia, Mexico City, Mexico
Vertical Gallery, Daniela Hahn, Vienna, Austria

VideORLAN - Technobody, curated by Alessandra Mammì, Museo d'Arte Contemporanea, Roma, Italy
ORLAN EN CAPITALES, curated by Jérôme Neutres, Maison Européenne de la photographie, Paris, France

ORLAN TODAY, curating by Sylvia Froux, FRAC Basse-Normandie, Caen, France
ORLAN-Techno-Body Retrospective, curating by Soukyoun Lee, Sungkok Art Museum, Seoul, South Korea

Temps variable et baiser de méduses, curating by Carme Sais, Bòlit Centre d'Art Contemporani, Girona, Spain
Terapia dell'Ibrido, curating by Sabrina Zannier, Castello di Susans, Majano, Italy
Octobre rose, Projection sur la Tour Horizon de Jean Nouvel, curating by Gilles Drouault, Paris, France
ORLAN, Strip-tease des cellules jusqu'à l'os, curating by Emmanuel Cuisinier, Centre des arts, Enghien-les-bains, France
Temps variable et baiser de méduses, curating by Jackie-Ruth Meyer, Centre d'art LE LAIT, Albi, France

Pekin Opera facing design and augmented reality, gallery Michel Rein, Paris, France
Self-hybridations artworks with Mask of the Pekin's Opera, curating by Jooyoung Sung, gallery Sejul, Seoul, South Korea
L'origine de la guerre, curating by Syvie Zavatta, FRAC de Franche-comté, Besançon, France
Hysteria (Salon Hystérique), curating by Gabriella Daris, Blacks, London, United Kingdom
ORLAN: The icon of the French contemporary art, Guest artist of "Riga, European City of Culture", curating by Inese Baranovska, Museum of Decorative Arts and Design, Riga, Latvia

Men sana in corpore..., curating by Pierre-Olivier Rollin, B.P.S.22, Hôpital Notre-Dame à la Rose, Lessines, Belgium

Hybridization and Refiguration, curating by Ricardo Arcos-Palma, Museo de Arte Moderno de Bogota, Bogota, Colombia
Carnal Art and Obsolet Body, curating by Ricardo Arcos-Palma, Museo de Antioquia, Medellin, Colombia
Pictures and objects from the MesuRages, curating by Bart de Baere, M HKA - Museum van Hedendaagse Kunst Antwerpen, Antwerpen, Belgium
The Factory Direct, curating by Eric Shiner, The Andy Warhol Museum, Pittsburgh, United States

Un boeuf sur la langue, curating by Blandine Chavanne, Musée des Beaux-Arts de Nantes, Nantes, France

Bodies, Technology, Fashion, curating by Daniel J. Veneciano, Lincoln, United States
ORLAN Remix, Est-ce que vous êtes Belges ? Ou les draps-peaux hybrids, curating by Johan Muyle, Project Room | La Cambre | Ecole Supérieure des Arts Visuels, Brussels, Belgium

Unions Mixtes, Mariages Libres et Noces Barbares, curating by Caroline Coll Seror, Abbaye de Maubuisson, France
Self-Hybridations, curating by Annick Notter, Musée du Nouveau Monde de La Rochelle, La Rochelle, France

Self hybridation, American-Indians, gallery Michel Rein, France

Le récit, Musée d'art Moderne de Saint-Etienne, France

Eléments favoris n°4, Artothèque de la Réunion, La Réunion, France
Pièce lumineuse (in collaboration with Philippe Chiambaretta), Palais de Tokyo, Paris, France

Méthodes de l'artiste, 1964-2004, retrospective, Centre National de la Photographie, Paris, France
ORLAN 04/04/04, Centre de Création Contemporaine, Tours, France

Tricéphale, gallery Michel Rein, Paris, France

Eléments favoris, retrospective, FRAC des Pays-de-la-Loire, Carquefou, Nantes, France

ORLAN 1964-2001, ARTIUM Centro-Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain

Ceci est mon corps...ceci est mon logiciel, Bregenzer Kunstverein, Magazin 4, Austria

Group Show (selection)

Revolutions, Records & Rebels (1966-1970),La Grande Halle de la Villette, Paris, France
Feminist avant-garde of the 1970s, Works from the Sammlung Verbund Collection, International Center of Photography, New York, US
Ex Africa, Musée du quai Branly – Jacques Chirac, curator : Philippe Dagen, Paris, France
100 HEROINES, London Photo, Londres, UK
Self-portrait of the artist as a clown, commissaire d'exposition : Joanna de Vos, Rony Van de Velde Gallery, Knokke, Belgium
Spatiu Intact Project, Centrul de interes, Cluj, Roumania
Real utopias, commissaire d'exposition: Bianca Cerrina Feroni, Manifesta 13, Maison RC, Marseille, France
Frida Kahlo, Afterlife, The Drents Museum, Assen, Netherlands
Exposition aux frontiers de l’humain,Musée de l’homme, Paris, France

Printemps , Galerie Ceysson & Bénétière, Paris, France
Printemps , Galerie Ceysson & Bénétière, Saint-Étienne, France
Bodyscapes, The Israel Museum, Jerusalem, Israel
Real Utopias, Manifesta 13, Maison RC, Marseille, France
ID.ART:TECH Cyland Media Art Lab & The Kolodzei Art Foundation, National Art Club, 15 Gramerci Park South, New York, USA
Tout le monde m'adore, Crypte d'Orsay, Orsay, France
Drapé, Musée des Beaux-Arts de Lyon, France

This is not a selfie, Museum of Fine Arts, St Petersburg, USA
Australia Tour, Broken Hill Regional Gallery, Broken Hill, Australia
Show Me Your Wound, curated by Johanna Schwanberg & Klaus Speidel, Dom Museum, Vienna, Austria
Bodyfiction(s) 3, curated by Paul di Felice & Pierre Stiwer, Cercle-Cité, Luxembourg
Wunderkammer, curated by Axel Vervoordt, Diane Venet Collection, Antwerp, Belgium

Middle Gate II – L'histoire de Dimpna, Gasthuismuseum, Geel, Belgium
Perfection, Science Gallery Melbourne, Melbourne School of Design, University of Melbourne, Parkville, Australia
In The Cut - The Male Body in Feminist Art, Stadtgalerie Saarbrücken, Saarbrücken, Germany
Artistes & Robots, Grand Palais, Paris, France
L'art vous va si bien! Bijoux d'artistes de Picasso à Jeff Koons, Musée des arts décoratifs, Paris, France
La photographie française existe... Je l'ai rencontré, Maison européenne de la photographie, Paris, France
Hybrids, Palacio de bellas artes, Mexico

Ouverture pour Inventaire, FRAC des pays de la Loire, Carquefou, France

Roll Up ! Roll Up ! An anatomical wax cabinet meets art,Deutsches Hygiene-museum, Dresden, Germany
MASCULIN / MASCULIN, Musée d'Orsay, curating by Guy Cogeval, Tobias G. Natter, Dr. Ulrich Pohlmann, Paris, France
Skin : Totem and Tatoo, curating by Osvaldo Romberg, Slought Foundation, Philadelphia, Unites States
Les esthétiques d'un monde désenchanté, CAC Meymac, Meymac, France
Feminine Futures, curating by Adrien Sina, Consortium, Dijon, France
Metropolitain pavillion 3D Printshow, curating by Lucy Cottrell, New-York city, United States
Metamorphoses of the virtual, curating by David Rosenberg, K11 exhibition, Shanghaï, China

Ici, Ailleurs, curating by Juliette Laffon, Friche de la Belle de Mai, Marseille, France
Talkie walkiy, curating by Michel Rein, gallery Michel Rein, Paris, France
Re. act. feminism #2. a performing archive, curating by Bettina Knaup & Beatrice Ellen Stammer, Fundació Antoni Tàpies, Barcelona, Spain
Elles, women artists from the Pompidou Center, curating by Cécile Debray et Emma Lavigne, Centro Cultural Banco do Brasil, Belo Horizonte, Brazil
CODE NOIR. 30 ans de Shopping, curating by Lidewij Edelkoort et Trend Union, F.R.A.C Haute-Normandie, Rouen, France
International Woman Day, curating by Marina Loshak, Olesya Turkina et Natalia Kamenetskaya, Moscow Museum and Exhibition Centre the Manege, Moscow, Russia
La Photographie en France ; 1950 - 2000, curating by Alain Sayag et Gilles Mora, La Maison Européenne de la photographie, Paris, France
The Metamorphoses of the Virtual - 100 years of Art and Freedom, producer Pia MyrvoLD, Officina Delle Zattere, Biennal of Venice, Venice, Italy
The Artist as Jeweler, curating by Diane Venet, Bass Museum of Art, Miami, United States

Andy Warhol Museum, Factory Direct: Pittsburgh exhibition, United States
Art Public Liège, curating by Joahn Muyle, Musée de Bogota and Musée de Medellin, Colombia
Biennal 2012, Shanghai, China
Speaking Artist, promenade project, curating by Lorand Hegyi, Busan Museum of Modern Art, South Korea
Mois de la photographie, la Photographie en France de 1950 2000, curating by Gilles Mora et Alain Sayag, La Maison Européenne de la Photographie, Paris, France
FIAC, gallery Michel Rein, Paris, France
« XXth Century Masters: The Human Figure », curating by Sylvie Ramond, Standard Bank Gallery, Johannesburg, South Africa
Elles : Women Artists from the Pompidou Center, Seattle Art Museum, Paris, Seattle, United States
Re. act. feminism # 2. A performing archive, curating by Bettina Knaup et Beatrice Ellen Stammer, Museet for Samtidskunst, Roskilde, Danemark
Collective Performance, curating by Lauren Rosati, Exit Art , New York, United States
Liquids in Contemporary Art, curating by Marie Shek, Litvac Gallery, Tel Aviv, Israël
L'amour du risque; The tast for risk curating by Leila Topic, assisted by Emannuel Latreille & Pascal Neveux, Museum of Modern Art of Zagreb, Zagreb, Croatia
Re. act. feminism # 2. a performing archive, curating by Knaup & Beatrice Ellen Stammer, Wyspa Art Institute, Gdansk, Poland
Man as Object : Reversing the Gaze, curating by Tanya Augsburg, Priscilla Otani, Karen Gutfreund & Brenda Oelbaum, Kinsey Institute, Indiana, United States

Dry baroque curating by Carmelo Strano, ACAOS Gallery et Villa Fortuna, Aci Trezza, Italy
Isole mai trovate, Island never found, exhibition tour, curating by Lorand Hegyi, Busan Museum of Art, South Korea
Le temps de l'action / acte 1, Villa Arson, Nice, France
From the cartography of power into the itineraries of knowledge, curating by Catarina Pires, Paulo Amarea, Sebastio Formoshino, Theresa Baumann, University of Coimbra, Portugal
Man as object - reversing the gaz, curating by Brenda Oelbaum, SOMARTS, San Francisco, United States
Tour de France / Florida Contemporary Artists from France in Florida's Private Collections, Patricia and Phillip Frost Art Museum, Art Basel Miami, Miami, United States
Colères et pudeurs de femme, curating Diane Hennebert,Villa Empain, Fondation Boghossian, Brussels, Belgium
Iles jamais trouvées, curating by Adriano Berengo, Musée de Saint Etienne Métropole, Saint-Etienne, France
Sculpture'Elles, curating by Anne Rivière, Musée des années trente, Boulogne-Billancourt, France
Beauty (cult)ure, curating by Kohle Yohannan, The Annenberg Space for Photography, Los Angeles, United Sates

Stiftung Deutsches Hygiene-Museum, What Is Beautiful ?, Dresden, Germany
Palazzo Ducale, Isole Mai Trovate - Island Never Found, Genova, Italy
P.S.1, 100 Years - Version #2, New-York, United Sates
Laboratoria, (Hypotheses/Verification), Moscow, Russia
Unimediamodern, Bad Girls, Genova, Italy
EN MAI FAIT CE QU'IL TE PLAIT curating by Juliette Laffon, Musée Bourdelle, Paris, France

elles@centrepompidou, curating by Camille Morineau, Centre Georges Pompidou, Paris, France
La Force de l'art, Grand Palais, curating by Jean-Louis Froment, Jean-Yves Jouannais, Didi Ottinger, Paris, France
SK-interfaces, Exploring Borders in Art, Technology and Society, curating by Jens Hauser, Casino Luxembourg, Luxembourg

Le plateau, L'argent, curating by Caroline Bourgeois, Elisabeth Lebovici, Paris, France

J'embrasse Pas, curating by Eric de Mézil, Collection Lambert, Avignon, France

La Force de l'Art, Grand Palais, Paris, France
Into Me/ Out of Me, PS1, New York, United Sates
Autopoesis, National Slovakian Gallery, Bratislava, Slovakia

Superstars - Das Prinzip Prominenz. Von Warhol bis Madonna, Kunsthalle & Kunstforum Wien, Austria
Inside Out Loud, Mildred Lane Kemper Art Museum, St. Louis, United States
Mirror Mirror: reflections on beauty, National gallery of Victoria, Melbourne National Museum of Australia, Canberra, Australia

Body extensions, MUDAC, Lausanne, Switzerland
Moi ! Autoportraits du XXè siècle, Musée du Luxembourg, Paris, France
Palazzo Strozzi, Florence, Italy
Making Faces: the death of the portrait, Hayward Gallery, London, United Kingdom
Je t'envisage, Musée de l'Elysée, Lausanne, Switzerland
Les Dix Commandements, Deutsches Hygiene-Museum, Dresden, Germany

Tableaux Vivants, Kunsthalle Wien, Wien, Austria
Art contemporain international, Museum of Modern Art, Mexico
Magazin 4, Vorarlberger Kunstverein, Germany

Fondation Deste, Athens, Greece
Partage d'exotisme, Biennale d'Art contemporain de Lyon, France
The wounded Diva: Hysteria, the body and Technologie in the art, Kunsthaus Galerie im Lenbachhaus and Kunsteverein, München, Germany
The self is something else, Kunstsammlung NRW 235, Düsseldorf, Germany

Biography and complete bibliography on www.orlan.net

Sarah Cascone, "Provocateur Orlan Reflects on How She Went From Being Reviled for Her Body Art to Claiming Her Place in the Art World", Artnet

Laurence Devillers, Ariel Kyrou et Virginie Martin, « ORLANoïde robot hybride avec intelligence artificielle et collective », Editions Lienart, Paris.
Bernard Ceysson, Léa Chauvel-Lévy, Eli Hill, ORLAN BEFORE ORLAN, Ceysson éditions, Saint-Etienne

Jérôme Neutres, Shelley Rice, Tatyana Franck, Jean-Luc Monterosso, « ORLAN ARTISTE EN CAPITALE », Éditions SKIRA, Paris.
Frédéric Acquaviva, « ORLAN Exogène », AcquAvivA.

Domenica Quaranta, « ORLAN TechnoBody Retrospective 1966-2016 », Éditions Scala.
Moon Soon Park, Soukyoun Lee, Jinsang Yoo, Donatien Grau, Philippe Piguet, Imma Prieto.

Donatien Grau, Jackie-Ruth Meyer, Philippe Piguet, Imma Prieto, Domenico Quaranta, " ORLAN, Striptease des cellules jusqu'à l'os ", Editions Scala, Paris.

Inese Baranovska, Catherine Grenier, Dominique Païni, Jean-Pierre Rehm; "ORLAN, The Icon of the French Contemporary Art", Editions Neputns, Riga, Latvia.

Jose Ignacio Benito Climent, "El Arte-Carnal en ORLAN, hacia una estetica del sacrificio", Editions Devenir, Madrid, Spain.

Hubert Besacier, Alain Charre, Bart De Baere, Sophie Gregoir et Win Van Mulders, "ORLAN mesuRages (1968-2012) actions: ORLAN-body", M HKA, Antwerp, Belgium.
Ricardo Arcos-Palma, Nicolas Bourriaud et Michael La Chance, "Art Charnel et Corps Obsolète / Hybridations et Refigurations", Editions Musée Antioquia, Medellin, Colombia.
Anne Morelli, Johan Muyle et Pierre-Olivier Rollin, "Est-ce que vous êtes Belge ? ORLAN", Yellow Now/ENSAV La Cambre, Brussels, Belgium.

Blandine Chavanne, Christine Buci-Glucksmann et Camille Morineau, "Un Boeuf Sur la Langue", Éditions Fage, France.

Rhonda K. Garelick and Jorge Daniel Veneciano, Homi K. Bhabha, Michel Serres, Isabel Tejeda, Paul Virilio, Lan Vu et Faboulous Harlequin, "ORLAN and the patchwork self", The University of Nebraska Press, Lincoln, United States.
Simon Donger, Simon Sheperd, Gianna Bouchard, Christine Buci-Glucksmann, Howard Caygill, Simon Donger, Sander L. Gilman, Markus Hallensleben, Jens Hauser, Dominic Johnson, Stéphane Malysse, Hans-Ulrich Obrist, Catherine Petitgas, Simon Shepherd, Paul Virilio et Sarah Wilson, "ORLAN, a Hybrid Body of Artworks", Routledge Editions, London, United Kingdom.
Raphael Enthoven, Raoul Vaneigem et ORLAN, "Unions Mixtes, Mariages Libres et Noces Barbares", Editions Dilecta, Paris, France.

Paul Virilio and ORLAN, "Transgression, transfiguration [conversation]", Editions L'Une et L'Autre, Paris, France.

Joerg Bader, Lorand Hegyi, Marcela Iacub, Donald Kuspit, Peggy Phelan, Eugenio Viola, ORLAN, The Narrative/Le Récit, Éditions Charta, Milan, Italy.

Bernard Blistène, Christine Buci-Glucksmann, Caroline Cros, Régis Durand, Eleanor Heartney, Laurent Le Bon, Hans Ulrich Obrist, Vivian Rehberg, Julian Zugazagoitia and ORLAN, "ORLAN, Carnal Art", Éditions Flammarion, Paris, France.

Marc Partouche, Monographie CD-Rom et Papier, Se placer au centre du monde, ORLAN, Editions Jériko.
Lyon 1er. Avec son exposition, l’artiste ORLAN questionne la féminité
La Tribune de Lyon - Caroline Sicard
December 18, 2021
Voir le fichier
Feminism - Her again
Le Petit Bulletin -
December 15, 2021
Voir le fichier
ORLAN, "second sex" first
TRIBUNE DE LYON - Caroline Sicard
December 15, 2021
Voir le fichier
Feminism - Her again
Le Petit Bulletin -
December 15, 2021
Voir le fichier
Cinq expos à voir en décembre à Lyon
Le Petit Bulletin - Jean-Emmanuel Denave
December 03, 2021
Voir le fichier
ORLAN, des oeuvres de jeunesse à la galerie Ceysson & Bénétière
Le Petit Bulletin Lyon - Emmanuel Denave
November 30, 2021
Voir le fichier
Orlan ou le deuxième sexe en premier
Exit Mag - Caroline Sicard
November 29, 2021
Voir le fichier
Ceysson & Bénétière Lyon présente Orlan
Tout Lyon -
November 27, 2021
Voir le fichier
ORLAN telle qu’en elle m’aime
ART SIX MIC - Jean-Marc Lebeaupin
November 04, 2021
Voir le fichier
L'Oeil ORLAN, Strip Tease
L'Oeil - Fabien Simode
September 01, 2021
Voir le fichier
Orlan, strip-tease - Le Journal des Arts
Le Journal des Arts - Fabien Simode
August 24, 2021
Voir le fichier
ORLAN Interview
Beaux Arts Magazine - Fabrice Bousteau
May 01, 2021
Voir le fichier
Say Who - Maxime Der Nahabédian & Marie Cheynel
March 20, 2021
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Art Absolument - ORLAN Striptease historique
Art Absolument - Tom Laurent
March 17, 2021
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À l'origine d'ORLAN
Le journal des Arts - Anne-Cécile Sanchez
March 12, 2021
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ORLAN sous toutes les coutures -L'ART EST LA MATIÈRE par Jean de Loisy
France Culture - Jean de Loisy
March 07, 2021
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Paris Fantastic - Michèle Villemur
March 07, 2021
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Sélection galeries : ORLAN chez Ceysson & Bénétière
LeMonde.fr - Philippe Dagen
March 05, 2021
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Traversées photographiques
La gazette Drouot - ALAIN QUEMIN
March 04, 2021
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ORLAN : J’aurais bien aimé ne pas avoir le souci d’être féministe !
L'Orient-Le Jour - Gilles KHOURY,
February 28, 2021
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ORLAN — Galerie Ceysson & Bénétière, Paris
Slash-Paris - Léone Metayer
February 25, 2021
Voir le fichier
Orlan, Striptease historique, galerie Ceysson-Bénétière
Paris Art -
February 18, 2021
Voir le fichier
Parcours de galeries : quelles expositions voir à Paris en ce moment ?
Les Hardis - Aymeric Mantoux
February 18, 2021
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La déesse qui veille sur ORLAN
Le Monde - Emmanuelle Jardonnet
January 26, 2021
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ParisArt - Laura Sibony
November 25, 2020
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Le Paris Gallery Weekend, antidote à la crise
The Art Newspaper Daily - Alexandre Crochet
July 02, 2020
Voir le fichier
Les maîtres du pixel
Beaux Arts -
June 05, 2020
Voir le fichier
Voir ! Mais pas seulement
Stemp Magazine - Gilles Rossary-Lenglet
March 23, 2020
Voir le fichier
The Fearless Faces of a Feminist Firebrand
Hyperallergic - Anthony Haden-Guest
November 05, 2019
Voir le fichier
L'Oeil - ALM
November 23, 2018
Voir le fichier
Exhibition Solo Show: ORLAN AVANT ORLAN
ACTUART - Eric Simon
November 17, 2018
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The Art Newspaper Daily -
October 25, 2018
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ORLAN, autrement
Quotidien de l'art - Alison Moss
October 23, 2018
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ORLAN - Portrait
ORLAN - Portrait
January 01, 2021
A visit with ORLAN
A visit with ORLAN
March 10, 2021
November 14, 2018