Stephané Edith Conradie
Stephané Edith Conradie
Born in 1990, in Windhoek, Namibia.
Now based in Cape Town, South Africa.
Presentation
Her work examines the histories of colonialism and creolisation embedded in domestic material culture, calling into question how identity is encoded in the private domain. These objects have provided her with a language to investigate the creolised formations of identity that are linked to South Africa’s histories of colonialism, slavery, segregation and apartheid.
Education
2016 PhD Candidate in Visual Arts - Stellenbosch University - Stellenbosch,
South Africa
MA Visual Art (Art Eductation) (Cum Laude) - Stellenbosch University -
Stellenbosch, South Africa
2013 BA Visual Art (Fine Art) (Cum Laude) - Stellenbosch University -
Stellenbosch, South Africa
Residencies
2018 Komposjaart Residency, Stellenbosch, South Africa
50ty50ty Print Collaboration, Cape Town, South Africa
2014 - 2015 Swains Yard, Observatory, Cape Town, South Africa
Awards
2022 The Triennial Young Artists Award, Fellbach, Germany
2020 Finalist, Megalo International Print Prize 2020, Kingston, Australia
2014 Swains Yard First Space Young Artist Studio Award
Rector’s Award for Excellent Academic Achievement, Stellenbosch University
2013 Keith Dietrich Award
Golden Key Society
Stephané Edith Conradie (b. 1990 Namibia) is a lecturer in printmedia at Michaelis School of Fine Art, University of Cape Town, South Africa. Although primarily a trained printmaker, she is known for her bricolage assemblages. She is currently a PhD candidate in Visual Arts at the University of Stellenbosch, where she completed her MA in Visual Arts (Art Education) and her BA in Visual Arts (Fine Arts). Her research work focuses on trying to make sense of her social and cultural ‘situatedness’, in a South African context. Her research stems from a fascination with how people categorise and arrange objects in their homes, particularly her own family members in both Namibia and South Africa. Conradie creates ornate sculptures of entangled objects, inspired by home décor found in lower and working class homes in South Africa. Though seemingly only used for aesthetic purposes or seen as common place, Conradie suggests that they could provide an important lens through which to examine value placement and meaning-making. Her work examines the histories of colonialism and creolisation embedded in domestic material culture, calling into question how identity is encoded in the private domain. These objects have provided her with a language to investigate the creolised formations of identity that are linked to South Africa’s histories of colonialism, slavery, segregation and apartheid.
Creolisation directs our attention towards the cultural phenomena and material culture that result from displacement and the ongoing dynamic interchange of symbols and practices, eventually leading to new forms with varying degrees of stability.
FIND / FUSE, New York
January 26 - March 11, 2023
Solo Exhibitions
2019
Domestic Lives, Nomadic Belongings, Gallery MOMO, Cape Town, South Africa
2017
Ordentilikheid : a creolised object, Pop-up exhibition, Gallery MOMO, Cape Town, South Africa
Group Exhibitions
2023
FIND/FUSE, Curated by Maëlle Ebelle and Francesca Pessarelli, Ceysson & Bénétière, New York, USA
2022
Home Strange Home at WITW x Krone - Krone x WHATIFTHEWORLD, Tulbagh,
South Africa
The vibration of things, The 15th edition of the Triennial of Small Sculpture, Fellbach, Germany
(IM)MATERIALITY, Águeda Arts Center, Portugal
The Phoenix Runway, WHATIFTHEWORLD, curated by Reservoir, Cape Town,
South Africa
2021
Falling awake, The Fourth, curated by Reservoir, Cape Town, South Africa
40 under 40, Krone x WHATIFTHEWORLD, Tulbagh, South Africa
Circle: AVA 50 Collectors, Association for Visual Arts, Cape Town, South Africa
Between strangers, Nuweland, Oosterzeee-Buren, The Netherlands
Black Luminosity, SMAC Gallery, Stellenbosch, South Africa
2020
SHAPING THINGS: An exploration of clay and ceramics in contemporary South
African art practice, SMAC Gallery, Stellenbosch, South Africa
Materiality, Iziko National Gallery, Cape Town, South Africa
Megalo International Print Prize 2020, Kingston, Australia
2019
Sans, Open24hours Gallery, Cape Town, South Africa
Unresolved Category, Gallery MOMO, Cape Town, South Africa
Forward? Forward! Forward…, Stellenbosch University Museum,
Stellenbosch, South Africa
2018
Kwaai, Eclectica Contemporary, Cape Town, South Africa
Transmissions, Gallery MOMO, Cape Town, South Africa
Cape to Tehran, Gallery MOMO, Cape Town and Johannesburg, South Africa
2017
Redemptive Beauty, Eclectica Contemporary, Cape Town, South Africa
SS17, Gallery MOMO, Cape Town, South Africa
2016
30 x 30 under 30, Group Exhibition, Rust en Vrede Gallery, Durbanville, Cape Town,
South Africa
Mexico Exchange Exhibition, Rust en Vrede Gallery, Durbanville, Cape Town,
South Africa
Sasol New Signature Finalist Exhibition, Pretoria, Afrique du Sud
2015
Steller, Group Exhibition, Salon91, Cape Town , South Africa
Narratives Group Exhibition, Rust en Vrede Gallery, Durbanville, Cape Town, South Africa
Barcleys L’atelier Regional Exhibition, Rust en Vrede Art Gallery, Durbanville, Cape Town,
South Africa
Barcleys L’atelier National Exhibition, ABSA Gallery, Johannesburg, South Africa
2014
Association for Visual Arts (AVA), Greatest Hits, Cape Town, South Africa
Divergence, The Keith Dietrich Award Exhibition, Stellenbosch, South Africa
Music and Lyrics Group Exhibition, Rust en Vrede Gallery, Durbanville, Cape Town,
South Africa
Familiar Group Exhibition (co-curated), Swains Yard Studios, Observatory, Cape Town,
South Africa
Golden Haze Group Exhibition, Salon91, Cape Town, South Africa
2013
ABSA L’atelier Regional Exhibition, ArtB Gallery, Bellville Cape Town, South Africa
Pentimenti and more Group Exhibition, ArtB Gallery, Bellville Cape Town, South Africa
ASBA L’atelier National Exhibition, ABSA Gallery, Johannesburg, South Africa
Sasol New Signature Finalist Exhibition, Pretoria, South Africa
Pre/Pri Stellenbosch and Wits University Collaborative Print Exhibition and Portfolio box, South Africa
Publications
2021
Tise, E. Conradie, S.E. Seyffert-Wirth, M. 2021. Preserving knowledge: The Stellenbosch University Library visual redress journey.
In Fataar, A and Costandius, E. (Ed). 2021. Evoking Transformation: Visual Redress at Stellenbosch University. SunMedia. Stellenbosch
2018
Stephané E. Conradie. 2018. Coloured Cabinets: A Reflection on Material Culture as a Marker of Coloured Identity in Cloetesville,
South Africa, African Historical Review, 49:2, 1-21, DOI: 10.1080/17532523.2018.1423763
2017
The Storming: Insurrections III. SAHO. Sun Media, Stellenbosch. Illustrated, S. E. Conradie. Biscombe, M., Conradie, S. E., Costandius, E & Alexander, N. 2017. Investigating “othering” in Visual Arts spaces of learning.Education as change, 1-18 [Online].